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JAZZ BOOKS ANALYSIS AND REVIEW By Peggy North
WORLD WHO'S
WHO IN JAZZ CABARET MUSIC AND ENTERTAINMENT EXPOSES VERY
SHOCKING FACTS ABOUT MUSIC, SHOWBIZ, JAZZ AND SINGERS
Unless, an
entertainment book/historical essay contains plenty of photos,
illustrations, the author's personal touch, documented powerful
statements, and wealth of information presented for the first
time, a published work on Jazz, showbiz and music will never
reach a large audience, nor catch the interest of serious
students of the world of showbiz and performing arts. It is not
enough to include detailed biographies of stars to render a
Who's Who, a meaningful reference tool. It got to have warmth,
originality and unusual approach to the subject of showbiz,
stars, singers and their times. The new book: BEST MUSICIANS,
SINGERS, ALBUMS AND ENTERTAINMENT PERSONALITIES OF THE 19th,
20th AND 21st CENTURIES (VOLUME V of the World Who's Who in
Jazz, Cabaret, Music and Entertainment)) succeeded in
transmuting a traditional Who's Who into a most unusual,
refreshing, fun, authoritative publication, yet threatening to
the camouflaged and biased accuracy in the history of
entertainment, music, Jazz, Soul, Ragtime and Rock "N" Roll in
America! The book reveals unpleasant and choking facts about
powerful figures of the early American music industry that
alienated the art of performing and singing from their truthful
and humanistic values. It also illustrates how influential
decision makers, historians and biased powerful executives in
the 19th century and early 20th century deprived many of the
early American composers and entertainers - and particularly
women composers- from copyrights, public recognition, earnings,
royalties and basic intellectual property rights. The book also,
discusses in details very disturbing aspects, passages and
events that have positively and negatively altered the course
and image of showbiz, music, Jazz, and the lives of many singers
and musicians for the past 200 years in America. Here are some
chocking excerpts from the book.
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EXAMPLE FOUR: On page 2650, there is a reference made to why and how the recording industry executives and TV stations producers cheated the Mamas and the Papas and particularly John Phillips and Michelle Phillips...including their harsh comments about Pop and Hippie- Jazz music! EXAMPLE FIVE: On protecting the royalties and rights of singers, composers and musicians. The author tells frightening stories about greedy and Machiavellic music publishers who used all the tricks in the book to cheat recording artists. He gave as an example Hart P. Danks who had two of the biggest hits in music history and died in absolute poverty, cheated by publishers and producers who paid him only thirty Dollars for recording his songs. He never received a dime from royalties. Fortunately, in 1924, ASCAP won a major battle against the Dill Radio Congress Bill that would have allowed radio stations, restaurant owners and music publishers to play music without paying royalties and copyrights to singers, musicians and composers. This was clearly discussed on page 2339.
VISUAL
BEAUTY AND AUTHORITATIVE REFERENCE TOOL
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